Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Thursday, February 14, 2013

Friday, December 2, 2011

Google News: Watch Kanye West's First 'VOYR' Episode

Image representing Twitter as depicted in Crun...Image via CrunchBase
Google News
Crave Online - ‎22 minutes ago‎
A behind-the-scenes perspective that's utterly self-indulgent, totally over the top, and actually pretty awesome. By Johnny Firecloud Kanye West took to Twitter last night to post a link to the first installment of the VOYR platform.
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Friday, November 11, 2011

Google News: Hugh Jackman on Broadway: back where he belongs

Google News
Los Angeles Times - ‎1 hour ago‎
This is the magic of "Hugh Jackman: Back on Broadway," which opened a 10-week run Thursday night. Deep down, the show is little more than a movie star giving you a guided tour of his iPhone (here are my favorite songs, here's some great video of where ...
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Saturday, October 29, 2011

Google News: Lady Liberty turns 125

Google News
CNN - ‎2 hours ago‎
New York (CNN) -- As snow fell across New York Harbor, Isabel Belarsky clutched her mother, Clara, aboard a passenger ship that puttered toward Ellis Island and wondered what their new lives would bring.
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Tuesday, October 4, 2011

New Wave

Iron Maiden live in Barcelona, 30 November 200...Image via Wikipedia
See also: New Romantics and Synthpop


Deborah Harry from the band Blondie, performing at Maple Leaf Gardens in Toronto in 1977
Although punk rock was a significant social and musical phenomenon, it achieved less in the way of record sales (being distributed by small specialty labels such as Stiff Records),[154] or American radio airplay (as the radio scene continued to be dominated by mainstream formats such as disco and album-oriented rock).[155] Punk rock had attracted devotees from the art and collegiate world and soon bands sporting a more literate, arty approach, such as Talking Heads, and Devo began to infiltrate the punk scene; in some quarters the description "New Wave" began to be used to differentiate these less overtly punk bands.[156] Record executives, who had been mostly mystified by the punk movement, recognized the potential of the more accessible New Wave acts and began aggressively signing and marketing any band that could claim a remote connection to punk or New Wave.[157] Many of these bands, such as The Cars, and The Go-Go's can be seen as pop bands marketed as New Wave;[158] other existing acts, including The Police, The Pretenders and Elvis Costello, used the New Wave movement as the springboard for relatively long and critically successful careers,[159] while "skinny tie" bands exemplified by The Knack,[160] or the photogenic Blondie, began as punk acts and moved into more commercial territory.[161]
Between 1982 and 1985, influenced by Kraftwerk, David Bowie, and Gary Numan, British New Wave went in the direction of such New Romantics as Spandau Ballet, Ultravox, Duran Duran, A Flock of Seagulls, Culture Club, Talk Talk and the Eurythmics, sometimes using the synthesizer to replace all other instruments.[162] This period coincided with the rise of MTV and led to a great deal of exposure for this brand of synthpop, creating what has been characterised as a second British Invasion.[163] Some more traditional rock bands adapted to the video age and profited from MTV's airplay, most obviously Dire Straits', whose "Money for Nothing" gently poked fun at the station, despite the fact that it had helped make them international stars,[164] but in general guitar-oriented rock was commercially eclipsed.[165]
[edit]Post-punk
Main article: Post-punk
See also: Gothic rock and Industrial music


U2 performing at Madison Square Garden in November 2005
If hardcore most directly pursued the stripped down aesthetic of punk, and New Wave came to represent its commercial wing, post-punk emerged in the later 1970s and early '80s as its more artistic and challenging side. Major influences beside punk bands were The Velvet Underground, The Who, Frank Zappa and Captain Beefheart, and the New York based no wave scene which placed an emphasis on performance, including bands such as James Chance and the Contortions, DNA and Sonic Youth.[166] Early contributors to the genre included the US bands Pere Ubu, Devo, The Residents and Talking Heads.[166]
The first wave of British post-punk included Gang of Four, Siouxsie and the Banshees and Joy Division, who placed less emphasis on art than their US counterparts and more on the dark emotional qualities of their music.[166] Bands like Siouxsie and the Banshees, Bauhaus, The Cure, and The Sisters of Mercy, moved increasingly in this direction to found Gothic rock, which had become the basis of a major sub-culture by the early 1980s.[167] Similar emotional territory was pursued by Australian acts like The Birthday Party and Nick Cave.[166] Members of Bauhaus and Joy Division explored new stylistic territory as Love and Rockets and New Order respectively.[166] Another early post-punk movement was the industrial music[168] developed by British bands Throbbing Gristle and Cabaret Voltaire, and New York-based Suicide, using a variety of electronic and sampling techniques that emulated the sound of industrial production and which would develop into a variety of forms of post-industrial music in the 1980s.[169]
The second generation of British post-punk bands that broke through in the early 1980s, including The Fall, The Pop Group, The Mekons, Echo and the Bunnymen and Teardrop Explodes, tended to move away from dark sonic landscapes.[166] Arguably the most successful band to emerge from post-punk was Ireland's U2, who incorporated elements of religious imagery together with political commentary into their often anthemic music, and by the late 1980s had become one of the biggest bands in the world.[170] Although many post-punk bands continued to record and perform, it declined as a movement in the mid-1980s as acts disbanded or moved off to explore other musical areas, but it has continued to influence the development of rock music and has been seen as a major element in the creation of the alternative rock movement.[171]
[edit]New waves and genres in heavy metal
Main article: Heavy metal music
See also: NWOBHM, Glam metal, and Extreme metal


Iron Maiden, one of the central bands in the New Wave of British Heavy Metal, performing in Barcelona in 2006
Although many established bands continued to perform and record, heavy metal suffered a hiatus in the face of the punk movement in the mid-1970s. Part of the reaction saw the popularity of bands like Motörhead, who had adopted a punk sensibility, and Judas Priest, who created a stripped down sound, largely removing the remaining elements of blues music, from their 1978 album Stained Class.[172] This change of direction was compared to punk and in the late 1970s became known as the New Wave of British Heavy Metal (NWOBHM).[173] These bands were soon followed by acts including Iron Maiden, Vardis, Diamond Head, Saxon, Def Leppard and Venom, many of which began to enjoy considerable success in the USA.[174] In the same period Eddie Van Halen established himself as a metal guitar virtuoso after his band's self-titled 1978 album.[175] Randy Rhoads and Yngwie Malmsteen also became established virtuosos, associated with what would be known as the neoclassical metal style.[176]
Inspired by NWOBHM and Van Halen's success, a metal scene began to develop in Southern California from the late 1970s, based on the clubs of L.A.'s Sunset Strip and including such bands as Quiet Riot, Ratt, Mötley Crüe, and W.A.S.P., who, along with similarly styled acts such as New York's Twisted Sister, incorporated the theatrics (and sometimes makeup) of glam rock acts like Alice Cooper and Kiss.[175] The lyrics of these glam metal bands characteristically emphasized hedonism and wild behavior and musically were distinguished by rapid-fire shred guitar solos, anthemic choruses, and a relatively melodic, pop-oriented approach.[175] By the mid-1980s bands were beginning to emerge from the L.A. scene that pursued a less glam image and a rawer sound, particularly Guns N' Roses, breaking through with the chart-topping Appetite for Destruction (1987), and Jane's Addiction, who emerged with their major label debut Nothing's Shocking, the following year.[177]
In the late 1980s metal fragmented into several subgenres, including thrash metal, which developed in the US from the style known as speed metal, under the influence of hardcore punk, with low-register guitar riffs typically overlaid by shredding leads.[178] Lyrics often expressed nihilistic views or deal with social issues using visceral, gory language. It was popularised by the "Big Four of Thrash": Metallica, Anthrax, Megadeth, and Slayer.[174] Death metal developed out of thrash, particularly influenced by the bands Venom and Slayer. Florida's Death and the Bay Area's Possessed emphasized lyrical elements of blasphemy, diabolism and millenarianism, with vocals usually delivered as guttural "death growls," high-pitched screaming, complemented by downtuned, highly distorted guitars and extremely fast double bass percussion.[179] Black metal, again influenced by Venom and pioneered by Denmark's Mercyful Fate, Switzerland's Hellhammer and Celtic Frost, and Sweden's Bathory, had many similarities in sound to death metal, but was often intentionally lo-fi in production and placed greater emphasis on satanic and pagan themes.[180][181] Bathory were particularly important in inspiring the further sub-genres of Viking metal and folk metal.[182] Power metal emerged in Europe in the late 1980s as a reaction to the harshness of death and black metal and was established by Germany's Helloween, who combined a melodic approach with thrash's speed and energy.[183] England's DragonForce[184] and Florida's Iced Earth[185] have a sound indebted to NWOBHM, while acts such as Florida's Kamelot, Finland's Nightwish, Italy's Rhapsody of Fire, and Russia's Catharsis feature a keyboard-based "symphonic" sound, sometimes employing orchestras and opera singers. In contrast to other sub-genres doom metal, influenced by Gothic rock, slowed down the music, with bands like England's Pagan Altar and Witchfinder General and the United States' Pentagram, Saint Vitus and Trouble, emphasizing melody, down-tuned guitars, a 'thicker' or 'heavier' sound and a sepulchral mood.[186][187]
[edit]Heartland rock
Main article: Heartland rock


Bruce Springsteen in East Berlin in 1988
American working-class oriented heartland rock, characterized by a straightforward musical style, and a concern with the lives of ordinary, blue collar American people, developed in the second half of the 1970s. The term heartland rock was first used to describe Midwestern arena rock groups like Kansas, REO Speedwagon and Styx, but which came to be associated with a more socially concerned form of roots rock more directly influenced by folk, country and rock and roll.[188] It has been seen as an American Midwest and Rust Belt counterpart to West Coast country rock and the Southern rock of the American South.[189] Led by figures who had initially been identified with punk and New Wave, it was most strongly influenced by acts such as Bob Dylan, The Byrds, Creedence Clearwater Revival and Van Morrison, and the basic rock of '60s garage and the Rolling Stones.[190]
Exemplified by the commercial success of singer songwriters Bruce Springsteen, Bob Seger, and Tom Petty, along with less widely known acts such as Southside Johnny and the Asbury Jukes and Joe Grushecky and the Houserockers, it was partly a reaction to post-industrial urban decline in the East and Mid-West, often dwelling on issues of social disintegration and isolation, beside a form of good-time rock and roll revivalism.[190] The genre reached its commercial, artistic and influential peak in the mid-1980s, with Springsteen's Born in the USA (1984), topping the charts worldwide and spawning a series of top ten singles, together with the arrival of artists including John Mellencamp, Steve Earle and more gentle singer/songwriters such as Bruce Hornsby.[190] It can also be heard as an influence on artists as diverse as Billy Joel,[191] Kid Rock[192] and The Killers.[193]
Heartland rock faded away as a recognized genre by the early 1990s, as rock music in general, and blue collar and white working class themes in particular, lost influence with younger audiences, and as heartland's artists turned to more personal works.[190] Many heartland rock artists continue to record today with critical and commercial success, most notably Bruce Springsteen, Tom Petty and John Mellencamp, although their works have become more personal and experimental and no longer fit easily into a single genre. Newer artists whose music would perhaps have been labelled heartland rock had it been released in the 1970s or 1980s, such as Missouri's Bottle Rockets and Illinois' Uncle Tupelo, often find themselves labeled alt-country.[194]
[edit]The emergence of alternative rock
Main article: Alternative rock
See also: Jangle pop, College rock, Indie pop, Dream pop, and Shoegaze


R.E.M. was a successful alternative rock band in the 1980s
The term alternative rock was coined in the early 1980s to describe rock artists who did not fit into the mainstream genres of the time. Bands dubbed "alternative" had no unified style, but were all seen as distinct from mainstream music. Alternative bands were linked by their collective debt to punk rock, through hardcore, New Wave or the post-punk movements.[195] Important alternative rock bands of the 1980s in the US included R.E.M., Hüsker Dü, Jane's Addiction, Sonic Youth, and the Pixies,[195] and in the UK The Cure, New Order, The Jesus and Mary Chain, and The Smiths.[196] Artists were largely confined to independent record labels, building an extensive underground music scene based on college radio, fanzines, touring, and word-of-mouth.[197] They rejected the dominant synthpop of the early 1980s, marking a return to group-based guitar rock.[198][199][200]
Few of these early bands, with the exceptions of R.E.M. and The Smiths, achieved mainstream success, but despite a lack of spectacular album sales, they exerted a considerable influence on the generation of musicians who came of age in the 1980s and ended up breaking through to mainstream success in the 1990s. Styles of alternative rock in the U.S. during the 1980s included jangle pop, associated with the early recordings of R.E.M., which incorporated the ringing guitars of mid-1960s pop and rock, and college rock, used to describe alternative bands that began in the college circuit and college radio, including acts such as 10,000 Maniacs and The Feelies.[195] In the UK Gothic rock was dominant in the early 1980s, but by the end of the decade indie or dream pop[201] like Primal Scream, Bogshed, Half Man Half Biscuit and The Wedding Present, and what were dubbed shoegaze bands like My Bloody Valentine, Ride, Lush, Chapterhouse, and the Boo Radleys.[202] Particularly vibrant was the Madchester scene, produced such bands as Happy Mondays, the Inspiral Carpets, and Stone Roses.[196][203] The next decade would see the success of grunge in the United States and Britpop in the United Kingdom, bringing alternative rock into the mainstream.
[edit]Alternative goes mainstream (the 1990s)

[edit]Grunge
Main article: Grunge


Nirvana (pictured here in 1992) popularized grunge worldwide.
Disaffected by commercialized and highly produced pop and rock in the mid-1980s, bands in Washington state (particularly in the Seattle area) formed a new style of rock which sharply contrasted with the mainstream music of the time.[204] The developing genre came to be known as "grunge", a term descriptive of the dirty sound of the music and the unkempt appearance of most musicians, who actively rebelled against the over-groomed images of popular artists.[204] Grunge fused elements of hardcore punk and heavy metal into a single sound, and made heavy use of guitar distortion, fuzz and feedback.[204] The lyrics were typically apathetic and angst-filled, and often concerned themes such as social alienation and entrapment, although it was also known for its dark humor and parodies of commercial rock.[204]
Bands such as Green River, Soundgarden, the Melvins and Skin Yard pioneered the genre, with Mudhoney becoming the most successful by the end of the decade. However, grunge remained largely a local phenomenon until 1991, when Nirvana‘s Nevermind became a huge success thanks to the lead single "Smells Like Teen Spirit".[205] Nevermind was more melodic than its predecessors, but the band refused to employ traditional corporate promotion and marketing mechanisms. During 1991 and 1992, other grunge albums such as Pearl Jam's Ten, Soundgarden's Badmotorfinger and Alice in Chains' Dirt, along with the Temple of the Dog album featuring members of Pearl Jam and Soundgarden, became among the 100 top selling albums.[206] The popular breakthrough of these grunge bands prompted Rolling Stone to nickname Seattle "the new Liverpool."[207] Major record labels signed most of the remaining grunge bands in Seattle, while a second influx of acts moved to the city in the hope of success.[208] However, with the death of Kurt Cobain and the subsequent break-up of Nirvana in 1994, touring problems for Pearl Jam and the departure of Alice in Chains' lead singer Layne Staley in 1996, the genre began to decline, partly to be overshadowed by Britpop and more commercial sounding post-grunge.[209]
[edit]Britpop
Main article: Britpop


Oasis performing in 2005
Britpop emerged from the British alternative rock scene of the early 1990s and was characterised by bands particularly influenced by British guitar music of the 1960s and 1970s.[196] The Smiths were a major influence, as were bands of the Madchester scene, which had dissolved in the early 1990s.[51] The movement has been seen partly as a reaction against various U.S. based, musical and cultural trends in the late 1980s and early 1990s, particularly the grunge phenomenon and as a reassertion of a British rock identity.[196] Britpop was varied in style, but often used catchy tunes and hooks, beside lyrics with particularly British concerns and the adoption of the iconography of the 1960s British Invasion, including the symbols of British identity previously utilised by the mods.[210] It was launched around 1992 with releases by groups such as Suede and Blur, who were soon joined by others including Oasis, Pulp, Supergrass and Elastica, who produced a series of top ten albums and singles.[196] For a while the contest between Blur and Oasis was built by the popular press into "The Battle of Britpop", initially won by Blur, but with Oasis achieving greater long-term and international success, directly influencing a third generation of Britpop bands, including The Boo Radleys, Ocean Colour Scene and Cast.[211] Britpop groups brought British alternative rock into the mainstream and formed the backbone of a larger British cultural movement known as Cool Britannia.[212] Although its more popular bands, particularly Blur and Oasis, were able to spread their commercial success overseas, especially to the United States, the movement had largely fallen apart by the end of the decade.[196]
[edit]Post-grunge
Main article: Post-grunge


Foo Fighters performing an acoustic show in 2007
The term post-grunge was coined for the generation of bands that followed the emergence into the mainstream, and subsequent hiatus, of the Seattle grunge bands. Post-grunge bands emulated their attitudes and music, but with a more radio-friendly commercially oriented sound.[209] Often they worked through the major labels and came to incorporate diverse influences from jangle pop, pop-punk, alternative metal or hard rock.[209] The term post-grunge was meant to be pejorative, suggesting that they were simply musically derivative, or a cynical response to an "authentic" rock movement.[213] From 1994, former Nirvana drummer Dave Grohl's new band, the Foo Fighters, helped popularize the genre and define its parameters.[214]
Some post-grunge bands, like Candlebox, were from Seattle, but the sub-genre was marked by a broadening of the geographical base of grunge, with bands like Los Angeles' Audioslave, and Georgia's Collective Soul and beyond the US to Australia's Silverchair and Britain's Bush, who all cemented post-grunge as one of the most commercially viable sub-genres of the late 1990s.[195][209] Although male bands predominated, female solo artist Alanis Morissette's 1995 album Jagged Little Pill, labelled as post-grunge, also became a multi-platinum hit.[215] Bands like Creed and Nickelback took post-grunge into the 21st century with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs, and were followed in this vein by new acts including Shinedown, Seether and 3 Doors Down.[213]
[edit]Pop punk
Main article: Pop punk


Green Day performing in 2009
The origins of 1990s pop punk can be seen in the more song-oriented bands of the 1970s punk movement like The Buzzcocks and The Clash, commercially successful New Wave acts such as The Jam and The Undertones, and the more hardcore-influenced elements of alternative rock in the 1980s.[216] Pop-punk tends to use power-pop melodies and chord changes with speedy punk tempos and loud guitars.[217] Punk music provided the inspiration for some California-based bands on independent labels in the early 1990s, including Rancid, Pennywise, Weezer and Green Day.[216] In 1994 Green Day moved to a major label and produced the album Dookie, which found a new, largely teenage, audience and proved a surprise diamond-selling success, leading to a series of hit singles, including two number ones in the US.[195] They were soon followed by the eponymous début from Weezer, which spawned three top ten singles in the US.[218] This success opened the door for the multi-platinum sales of metallic punk band The Offspring with Smash (1994).[195] This first wave of pop punk reached its commercial peak with Green Day's Nimrod (1997) and The Offspring's Americana (1998).[219]
A second wave of pop punk was spearheaded by Blink-182, with their breakthrough album Enema of the State (1999), followed by bands such as Good Charlotte, Bowling for Soup and Sum 41, who made use of humour in their videos and had a more radio-friendly tone to their music, while retaining the speed, some of the attitude and even the look of 1970s punk.[216] Later pop-punk bands, including Simple Plan, The All-American Rejects and Fall Out Boy, had a sound that has been described as closer to 1980s hardcore, while still achieving considerable commercial success.[216]
[edit]Indie rock
Main article: Indie rock
See also: Riot Grrrl, Lo-fi music, Post rock, Math rock, Space rock, Sadcore, and Baroque pop


Lo-fi indie rock band Pavement in 2006
In the 1980s the terms indie rock and alternative rock were used interchangeably.[220] By the mid-1990s, as elements of the movement began to attract mainstream interest, particularly grunge and then Britpop, post-grunge and pop-punk, the term alternative began to lose its meaning.[220] Those bands following the less commercial contours of the scene were increasingly referred to by the label indie.[220] They characteristically attempted to retain control of their careers by releasing albums on their own or small independent labels, while relying on touring, word-of-mouth, and airplay on independent or college radio stations for promotion.[220] Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands like The Cranberries and Superchunk, through do-it-yourself experimental bands like Pavement, to punk-folk singers such as Ani DiFranco.[195][196] It has been noted that indie rock has a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of feminist-informed Riot Grrrl music.[221] Many countries have developed an extensive local indie scene, flourishing with bands with enough popularity to survive inside the respective country, but virtually unknown outside them.[222]
By the end of the 1990s many recognisable sub-genres, most with their origins in the late '80s alternative movement, were included under the umbrella of indie. Lo-fi eschewed polished recording techniques for a D.I.Y. ethos and was spearheaded by Beck, Sebadoh and Pavement.[195] The work of Talk Talk and Slint helped inspire both post rock, an experimental style influenced by jazz and electronic music, pioneered by Bark Psychosis and taken up by acts such as Tortoise, Stereolab, and Laika,[223][224] as well as leading to more dense and complex, guitar-based math rock, developed by acts like Polvo and Chavez.[225] Space rock looked back to progressive roots, with drone heavy and minimalist acts like Spaceman 3, the two bands created out of its split, Spectrum and Spiritualized, and later groups including Flying Saucer Attack, Godspeed You Black Emperor! and Quickspace.[226] In contrast, Sadcore emphasised pain and suffering through melodic use of acoustic and electronic instrumentation in the music of bands like American Music Club and Red House Painters,[227] while the revival of Baroque pop reacted against lo-fi and experimental music by placing an emphasis on melody and classical instrumentation, with artists like Arcade Fire, Belle and Sebastian and Rufus Wainright.[228]
[edit]Alternative metal, rap rock and nu metal
Main article: Heavy metal music
See also: Alternative metal, Rap rock, Rap metal, and Nu metal


Linkin Park performing in 2009
Alternative metal emerged from the hardcore scene of alternative rock in the US in the later 1980s, but gained a wider audience after grunge broke into the mainstream in the early 1990s.[229] Early alternative metal bands mixed a wide variety of genres with hardcore and heavy metal sensibilities, with acts like Jane's Addiction and Primus utilizing prog-rock, Soundgarden and Corrosion of Conformity using garage punk, The Jesus Lizard and Helmet mixing noise-rock, Ministry and Nine Inch Nails influenced by industrial music, Monster Magnet moving into psychedelia, Pantera, Sepultura and White Zombie creating groove metal, while Biohazard and Faith No More turned to hip hop and rap.[229]
Hip hop had gained attention from rock acts in the early 1980s, including The Clash with "The Magnificent Seven" (1981) and Blondie with "Rapture" (1981).[230][231] Early crossover acts included Run DMC and the Beastie Boys.[232] Detroit rapper Esham became known for his "acid rap" style, which fused rapping with a sound that was often based in rock and heavy metal.[233][234] Rappers who sampled rock songs included Ice-T, The Fat Boys, LL Cool J, Public Enemy and Whodini.[235] The mixing of thrash metal and rap was pioneered by Anthrax on their 1987 comedy-influenced single "I'm the Man".[235]
In 1990, Faith No More broke into the mainstream with their single "Epic', often seen as the first truly successful combination of heavy metal with rap.[236] This paved the way for the success of existing bands like 24-7 Spyz and Living Colour, and new acts including Rage Against the Machine and Red Hot Chili Peppers, who all fused rock and hip hop among other influences.[213][235] Among the first wave of performers to gain mainstream success as rap rock were 311,[237] Bloodhound Gang,[238] and Kid Rock.[239] A more metallic sound - nu metal - was pursued by bands including Limp Bizkit, Korn and Slipknot.[235] Later in the decade this style, which contained a mix of grunge, punk, metal, rap and turntable scratching, spawned a wave of successful bands like Linkin Park, P.O.D. and Staind, who were often classified as rap metal or nu metal, the first of which are the best-selling band of the genre.[240]
In 2001, nu metal reached its peak with albums like Staind's Break the Cycle, P.O.D's Satellite, Slipknot's Iowa and Linkin Park's Hybrid Theory. New bands also emerged like Disturbed, post-grunge/hard rock band Godsmack and Papa Roach, whose major label début Infest became a platinum hit.[241] However, by 2002 there were signs that nu metal's mainstream popularity was weakening.[213] Korn's long awaited fifth album Untouchables, and Papa Roach's second album Lovehatetragedy, did not sell as well as their previous releases, while nu metal bands were played more infrequently on rock radio stations and MTV began focusing on pop punk and emo.[242] Since then, many bands have changed to a more conventional hard rock or heavy metal music sound.[242]
[edit]Post-Britpop
Main article: Post-Britpop


Coldplay in 2008
From about 1997, as dissatisfaction grew with the concept of Cool Britannia, and Britpop as a movement began to dissolve, emerging bands began to avoid the Britpop label while still producing music derived from it.[243][244] Many of these bands tended to mix elements of British traditional rock (or British trad rock),[245] particularly the Beatles, Rolling Stones and Small Faces,[246] with American influences, including post-grunge.[247][248] Drawn from across the United Kingdom (with several important bands emerging from the north of England, Scotland, Wales and Northern Ireland), the themes of their music tended to be less parochially centred on British, English and London life and more introspective than had been the case with Britpop at its height.[249][250] This, beside a greater willingness to engage with the American press and fans, may have helped some of them in achieving international success.[251]
Post-Britpop bands have been seen as presenting the image of the rock star as an ordinary person and their increasingly melodic music was criticised for being bland or derivative.[252] Post-Britpop bands like The Verve with Urban Hymns (1997), Radiohead from OK Computer (1997), Travis from The Man Who (1999), Stereophonics from Performance and Cocktails (1999), Feeder from Echo Park (2001) and particularly Coldplay from their debut album Parachutes (2000), achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s, arguably providing a launchpad for the subsequent garage rock or post-punk revival, which has also been seen as a reaction to their introspective brand of rock

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Monday, October 3, 2011

Vera Wang

Vera Ellen Wang[1] (Chinese: 王薇薇; pinyin: Wáng Wēiwei; born June 27, 1949) is a Chinese American fashion designer based in New York City and former figure skater. She is known for her wide clientele of couture bridesmaid gowns and wedding gown collections.
Contents [hide]
1 Personal life
2 Career
3 Filmography
3.1 Movies
4 Books
5 References
6 External links
[edit]Personal life

Vera Ellen Wang was born and raised in New York City and is of Chinese descent. Her parents were born in Shanghai, China, and came to the United States in the mid-1940s. Her mother worked as a translator for the United Nations, while her father owned a medicine company. She has one younger brother, Kenneth. After graduating from The Chapin School in 1967, she attended the University of Paris and earned a degree in art history from Sarah Lawrence College.
While in high school, Wang trained as a figure skater with pairs partner James Stuart, and competed at the 1968 U.S. Figure Skating Championships. She was featured in Sports Illustrated's Faces in the Crowd in the January 9, 1968 issue.[2] When she failed to make the US Olympics team, she entered the fashion industry.[3]
She married Arthur Becker in 1989. They reside in Manhattan with their two daughters: Cecilia (born 1990), who currently attends the University of Pennsylvania, and Josephine (born 1993), who currently attends The Chapin School. Becker is the CEO of an information technology services company called NaviSite. Becker's niece is actress Emmy Rossum.
[edit]Career

Wang was a senior fashion editor for Vogue for sixteen years. In 1985, she left Vogue after being turned down for the editor-in-chief position currently filled by Anna Wintour and joined Ralph Lauren as a design director for two years. In 1990, she opened her own design salon in the Carlyle Hotel in New York that features her trademark bridal gowns.[4]


Detail of a wedding dress designed by Vera Wang
Wang has made wedding gowns for many well-known public figures, such as Chelsea Clinton, Karenna Gore,[5] Ivanka Trump and news reporter Campbell Brown.[6] She has made wedding gowns for celebrities ranging from artists such as Alicia Keys, Mariah Carey, Victoria Beckham, Avril Lavigne, Jennifer Lopez to actresses such as Jennifer Garner, Sharon Stone, Sarah Michelle Gellar, Hilary Duff, Uma Thurman, Holly Hunter, Kate Hudson,[7] along with various other celebrities. Kim Kardashian wore a total of three Vera Wang gowns for her marriage.
She has designed costumes for figure skaters, including Nancy Kerrigan, Michelle Kwan and Evan Lysacek. Silver medalist Nancy Kerrigan wore a unique design of Vera's for the 1994 Olympics. She designed the two-piece uniforms currently worn by the Philadelphia Eagles cheerleaders.[8]
Wang's works have often been referenced in popular culture. In the Sex and the City TV series, Charlotte York found Wang's wedding dress to be the perfect wedding dress, and wore it for her wedding to Trey MacDougal.[9] In the film Sex and the City, Vera Wang was featured amongst the bridal gowns Carrie Bradshaw wore in her Vogue photo shoot. In the film Bride Wars, Anne Hathaway and Kate Hudson both wore custom-made Vera Wang gowns.[10] Vera Wang's design was referenced in the NBC television show The West Wing in the episode "The Black Vera Wang".
Wang has expanded her brand name through her fragrance, jewelry, eyewear, shoe and houseware collections. On October 23, 2001, her book, Vera Wang on Weddings, was released. In June 2005, she won the CFDA (Council of Fashion Designers of America) Womenswear Designer of the Year. On May 27, 2006, Wang was awarded the André Leon Talley Lifetime Achievement Award from the Savannah College of Art and Design.
In 2002, Vera Wang began to enter the home fashion industry and launched The Vera Wang China and Crystal Collection, followed by the 2007 release of her diffusion line called Simply Vera, which are sold exclusively by Kohl's.[4]
Wang was inducted into the U.S. Figure Skating Hall of Fame in 2009, and was honored for her contribution to the sport as a costume designer.[11][12]
Twenty years after opening her first bridal boutique, Wang was awarded the Leadership in the Arts Award by the Harvard-Radcliffe Asian American Association. She accepted the award on April 17, 2010 at Identities, the Harvard association's annual charity fashion show.[13]
[edit]Filmography

Sunday, September 25, 2011

Kieran Culkin

Kieran Culkin at the 2010 Comic Con in San DiegoImage via Wikipedia
Culkin was born in New York City, the son of Patricia Brentrup and Christopher 'Kit' Culkin, a former stage actor with a long career on Broadway.[1]
He has four brothers, Shane Arliss (b. 1976), Macaulay Carson Culkin (b. 1980), Christian Patrick (b. 1987), and Rory Hugh Culkin (b. 1989), and two sisters, Dakota Ulissa (1978–2008) and Quinn Kay (b. 1984).[2]
[edit]Career

Kieran Culkin's first film role was a small part alongside his brother, Macaulay, in Home Alone as cousin Fuller McCallister. He continued acting as a child and teenager, mainly working in comedies, including Home Alone 2: Lost in New York and Father of the Bride and its sequel.
As a teenager, he alternated between lead roles in independent films and small parts in mainstream films. He played the title role in the film Igby Goes Down, for which he was nominated for a Golden Globe Award. He appeared in the Academy Award-nominated movie Music of the Heart as well.
He played Buff in Eric Bogosian's updated version of SubUrbia at the Second Stage Theatre in New York. In 2010, Culkin played Scott Pilgrim's "cool gay roommate" Wallace Wells in the movie Scott Pilgrim vs. the World.
He also had the lead role in The Mighty as Kevin Dillon.
[edit]Filmography



Culkin at the 2008 Toronto International Film Festival
Year Title Role Notes
1990 Home Alone Fuller McCallister
1991 Only the Lonely Patrick Muldoon Jr.
1991 Father of the Bride Matty Banks Nominated — Young Artist Award for Best Young Actor Co-starring in a Motion Picture
1992 Home Alone 2: Lost in New York Fuller McCallister
1993 Nowhere to Run Mike 'Mookie' Anderson
1994 My Summer Story Ralph 'Ralphie' Parker
1995 Father of the Bride Part II Matty Banks
1996 Amanda Biddle Farnsworth
1998 The Mighty Kevin Dillon Nominated — Young Artist Award for Best Performance in a Feature Film - Leading Young Actor
1999 She's All That Simon Boggs
1999 Music of the Heart Lexi at 15
1999 The Cider House Rules Buster Nominated — Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
1999 The Magical Legend of the Leprechauns Barney O'Grady
2001 Go Fish Andy 'Fish' Troutner Lead role, TV Series
(5 episodes)
2002 The Dangerous Lives of Altar Boys Tim Sullivan
2002 Igby Goes Down Jason "Igby" Slocumb, Jr. Broadcast Film Critics Association Award for Best Young Performer
Las Vegas Film Critics Society Award for Youth in Film
Satellite Award for Best Actor - Motion Picture Musical or Comedy
Nominated — Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Nominated — MTV Movie Award for Best Breakthrough Performance
2009 Lymelife Jimmy Bartlett
2009 Paper Man Christopher
2009 Three Stories About Joan
2010 Scott Pilgrim vs. the World Wallace Wells Nominated—Detroid Film Critics Society Award for Best Ensemble
2010 The Stanford Prison Experiment
2011 Margaret Paul
2012 The Other Side Rupert Pupkin
[edit]Stage credits

Year Title Role Notes
2000 The Moment When Wilson Playwrights Horizons, New York
2003 This is Our Youth Warren Garrick Theatre, London
2004 After Ashley Justin Hammond Vineyard Theatre, New York/Obie Award for Performance
2007 subUrbia Buff Second Stage Theatre, New York


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Sarah Michelle Gellar

Sarah Michelle GellarCover of Sarah Michelle Gellar
Sarah Michelle Prinze[1][2] (born April 14, 1977), known professionally by her birth name of Sarah Michelle Gellar ( /ˈɡɛlər/), is an American actress and executive producer. She became widely known for her role as Buffy Summers on the WB/UPN television series Buffy the Vampire Slayer, for which she won six Teen Choice Awards and the Saturn Award for Best Genre TV Actress and received a Golden Globe Award nomination. She originated the role of Kendall Hart on the ABC daytime soap opera All My Children, winning the 1995 Daytime Emmy Award for Outstanding Younger Actress in a Drama Series.
Her film work includes starring roles in Scream 2 (1997), I Know What You Did Last Summer (1997), Cruel Intentions (1999); Scooby-Doo (2002); Scooby-Doo 2: Monsters Unleashed, (2004); the American remake of Japanese horror film The Grudge (2004); and The Return (2006). Gellar also played an ex-porn star in Richard Kelly's Southland Tales (2007) and was part of an ensemble cast in The Air I Breathe (2008). Gellar also starred in Veronika Decides to Die (2009). She is currently starring in the new television series, Ringer.


Gellar was born in New York City. She is the only child of Rosellen (née Greenfield), a nursery school teacher, and Arthur Gellar, a garment worker.[3] Both of her parents were Jewish, though Gellar's family had a Christmas tree during the holidays while she was growing up.[4][5] In 1984, when she was 7 years old, her parents divorced and she was brought up solely by her mother on the Upper East Side. She graduated from Fiorello LaGuardia High School of the Performing Arts in 1995.[6][7] Gellar was estranged from her father until his death from liver cancer on October 9, 2001.
[edit]Career

[edit]Early career
At the age of four, she was spotted by an agent in a restaurant in Uptown Manhattan. Two weeks later, she auditioned for a part in An Invasion of Privacy, a made-for-television film starring Valerie Harper, Carol Kane and Jeff Daniels. At the audition, Gellar read both her own lines and those of Harper, impressing the directors enough to cast her in the role. She subsequently appeared in a controversial television commercial for Burger King, in which her character criticized McDonald's and claimed to eat only at Burger King. This led to a lawsuit by McDonald's. As a child, Gellar modeled for magazines.[8]
Gellar appeared in TV series such as Spenser: For Hire and Crossbow, and had minor roles in the films Funny Farm (1988) and High Stakes (1989). In 1991, she appeared as a young Jacqueline Bouvier in the TV movie A Woman Named Jackie.
Gellar's first major break came in 1992, when she starred in the serial Swans Crossing and was subsequently cast in the soap opera All My Children, playing Kendall Hart, the long-lost daughter of character Erica Kane (Susan Lucci). In 1995, at the age of eighteen, she won a Daytime Emmy Award for Outstanding Younger Actress in a Drama Series for the role.[9] It was on the set of this soap opera that she met Michelle Trachtenberg, who would later join the cast of Buffy the Vampire Slayer. Gellar also met co-star Sydney Penny, with whom she remains friends.
[edit]Breakthrough (1997–2003)
Gellar left All My Children in 1995. Gellar stated that she was screen tested eleven times (originally auditioning for the role of Cordelia), before she landed the lead in the 1997 TV series Buffy the Vampire Slayer, playing a teenager burdened with the responsibility of fighting a number of mystical foes, mostly vampires. The show was well received by critics and audiences alike, spawning a spin-off series (Angel), which featured two episodes in which she guest starred. Throughout its seven seasons and a total of 144 episodes, Buffy, and by extension Gellar, became cult icons in the United States, Canada, the UK and Australia, particularly as an archetype of an "empowered" woman.[citation needed] Gellar sang several of the songs during the Buffy the Vampire Slayer musical episode "Once More, with Feeling", which spawned an original cast album.
Gellar has also hosted Saturday Night Live a total of three times (1998, 1999, and 2002), appearing in a number of comedy sketches. In 2000, Gellar guest appeared as Debbie in the HBO series Sex and the City episode "Escape from New York". Gellar has lent her voice to animated TV series, The Simpsons, King of the Hill, and several episodes of Robot Chicken.
Gellar built on her television fame with a motion picture career, and had intermittent commercial success. After roles in the popular thrillers I Know What You Did Last Summer and Scream 2 (both 1997), she starred in the 1999 film Simply Irresistible, a romantic comedy. Cruel Intentions (1999), a modern-day retelling of Les Liaisons dangereuses featured a kiss between Gellar and co-star Selma Blair that won the two the "Best Kiss" award at the 2000 MTV Movie Awards. This film was a modest hit at the box office, grossing over $38 million in the United States and over $75 million worldwide, and earned several awards and nominations. Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe "develop a convincing emotional charge" and that Gellar is "effective as a bright girl who knows exactly how to use her act as a tramp".[10] Gellar's role showed her versatility as an actress, and many were surprised to see her playing a brunette cocaine addict with an appetite for manipulating and using people. Her performance was praised by a number of critics, including Rob Blackwelder for SPLICEDwire, who wrote about the "dazzling performance by Sarah Michelle Gellar who plunges headlong into the lascivious malevolence that makes Kathryn so delightfully wicked. (Plus she looks great in a corset.)".[11]
Gellar next played a lead role in James Toback's critically unsuccessful independent Harvard Man (2001), where she played the daughter of a mobster. The movie included two sex scenes with Gellar, helping her shed her good girl image even more after 1999's Cruel Intentions.[12]
During her growing film career Gellar continued work on the television series Buffy the Vampire Slayer; however, she decided to leave the show after the seventh season. When asked why, she explained, "This isn't about leaving for a career in movies, or in theater – it's more of a personal decision. I need a rest."[13] Shortly after the show's end, Gellar stated that she had no interest in appearing in a Buffy feature film, but that she will consider it if the script is good enough.[14] She did not appear in the final season of Angel, causing the intended episode ("You're Welcome") to be rewritten for the character of Cordelia Chase.[15] Gellar has said that she was willing to appear in the episode, but scheduling conflicts and family problems prevented it.[16] Another actress, Giselle Loren, voiced Buffy for an animated series based on the show, which never aired, and the various Buffy video games.
In her feature in Esquire magazine Gellar expressed her pride for her work on Buffy, "I truly believe that it is one of the greatest shows of all time and it will go down in history as that. And I don’t feel that that is a cocky statement. We changed the way that people looked at television."[17] Gellar's likeness is used in the comic continuation of the series.
[edit]Later career (2004–2009)


Gellar in Dubai in December 2004.
After the end of Buffy the Vampire Slayer, Gellar's next film was the 2004 horror film The Grudge, which was a success at the box office. David Wirtschafter, the president of the William Morris Agency (which represented Gellar), subsequently told The New Yorker that the success of The Grudge "takes our client Sarah Michelle Gellar, who now is nothing at all, and… makes her a star, potentially. Suddenly, the Sarah Michelle Gellar space is meaningful". The remark led Gellar to terminate her association with the agency; Gellar is now represented by the Creative Artists Agency.
Gellar appeared in the sequel The Grudge 2, which opened in October 2006; in the film, she has a minor role reprising her character from the first film. Gellar next appeared in the thriller The Return, which was released the following month and in which she played a businesswoman haunted by memories of her childhood and the mysterious death of a young woman. The movie was marketed as a horror movie and many including critics were surprised to find The Return was, as Rafe Telsch said, "just a murder mystery with a few supernatural elements". The movie pulled in a disappointing $4,800,000 weekend gross with little promotion.[18]
Gellar then lent her voice to two animated films: the animated fairy tale Happily N'Ever After, and Teenage Mutant Ninja Turtles. She followed those with a string of films including Southland Tales, The Air I Breathe, Suburban Girl (earlier known as "A Girl's Guide to Hunting and Fishing"), and Possession (a supernatural thriller based on the South Korean film Jungdok known to English language audiences as Addicted).[19] Southland Tales opened at the Cannes Film Festival in May 2006 and was released in the U.S. in November 2007.[20]
Suburban Girl and The Air I Breathe were screened at the 2007 Tribeca Film Festival. Suburban Girl did not receive a theatrical release and was released on DVD in early 2008. It was described as "a blend of Sex and the City and The Devil Wears Prada" and a "pseudo-sophisticated romantic comedy" according to Variety.com.[21] Her on screen chemistry with Alec Baldwin was either criticized or praised, with Eye For Film commenting, "The film works best when Baldwin and Gellar are together – aside from the fact that Gellar seriously needs to eat a bun or two".[22] Film website moviepictirefilm.com stated "Gellar and Baldwin both give wonderful performances and make their chemistry incredibly real and ultimately, quite heartbreaking. Containing a ton of laughs and killer fashion that could give "The Devil Wears Prada" a run for its money, this movie has something uncommon in most romantic comedies, tons of style and a huge heart."[23]
The Air I Breathe was released theatrically the same month to generally poor reviews. The New York Times called it a "gangster movie with delusions of grandeur."[24] However, Gellar's performance was praised by a number of critics, DVD Talk Review noted that "her character here has the deepest emotional arc, and she hits all the right notes."[25]
Gellar was offered a role in Stardust but turned it down to spend more time with her husband.[26] Other roles she turned down include an undisclosed role in The Faculty. She was also offered the role of Brittany Foster in The In Crowd, but turned it down. The part later went to Susan Ward.
On June 25, 2008, it was announced she is no longer attached to the film version of the video game American McGee's Alice.[27][28]
It was reported on September 25, 2008 that Gellar would return to television in the HBO series The Wonderful Maladys.[29][30] The show is about three dysfunctional adult siblings living in New York and struggling to deal with the loss of their parents years ago.[31] Creator Charles Randolph told Variety that he wrote the part with Gellar in mind,[31] and described Gellar's character as having "a kind of zealous immaturity – like a drug addict with a to-do list."[31] Gellar and Randolph would serve as executive producers.[32] HBO shot the pilot in May 2009.[33] According to an interview with Adam Scott the show was not picked up.[34]
The film Possession, starring Gellar, has had a range of release dates – starting with February 2008. The film was finally set to be released in theatres in January 2009, but due to financial problems at YARI Film Group,[35] the release was yet again pushed forward. In March 2009 it was announced that the film would skip theatrical release altogether, and go straight to DVD/Blu-ray. It was set to be released on May 12, 2009.[36][37] However, the movie was not released on DVD/Blu-ray as scheduled. Possession was released straight to DVD in March 2010.
Gellar also stars in Veronika Decides to Die (2009).[38] The film tells the story of a young woman suffering from severe depression who rediscovers the joy in life when she finds out that she only has days to live following a suicide attempt. Filming of the movie began on May 12, 2008, in New York City[39] and finished in late June.[40] It was reported that Kate Bosworth was previously attached to the project.[41] The film was released in Brazil on August 21, 2009.[42]
[edit]Motherhood and Ringer (2009–present)
Gellar and Prinze's daughter Charlotte Grace was born in September 2009 and Gellar took a break from work to spend time with her. In 2011, Gellar signed on to star and work as executive producer for a new drama titled Ringer in which she plays a woman on the run who manages to hide by living the life of her wealthy twin sister. The show was originally made for CBS but was picked up by its sister channel The CW in May 2011.[43][44] Gellar has stated that part of her decision to return to a television series was because it allows her to both work and raise her daughter.[45]
On August 4, 2011, Gellar confirmed she will be returning as a guest star on the ABC soap opera All My Children before the show's ending in September but not as Kendall Hart.[46] Her airdate was September 21, 2011.[47] She portrayed a patient at Pine Valley Hospital. She tells Maria Santos that Pine Valley is familier to her, and, that she is "Erica Kane"'s daughter. She also states that she saw vampires before they became trendy--a reference to Buffy the Vampire Slayer.
[edit]Box office status

As of September 2008, Gellar's films have grossed US$627.3 million.[48] Gellar's most successful starring role is in The Grudge, which opened with US$39.1 million opening weekend and grossed over US$110 million in the U.S.
[edit]Media

Gellar has appeared on the covers of Cosmopolitan, Glamour, FHM, Rolling Stone, and other magazines. She was featured in the annual Maxim "Hot 100" list in 2002, 2003, 2005 and 2008 and in FHM's "100 Sexiest Women" of 2005. She was voted number 1 in the magazine's 1999 edition. In 1998, she was named one of People's "50 Most Beautiful People (in the World)". Gellar has appeared in "Got Milk?" ads as well as in the Stone Temple Pilots music video "Sour Girl" and Marcy Playground music video "Comin' Up From Behind". In 2007, she was ranked No.54 on FHM Hot 100 List and was a celebrity spokesperson for Maybelline. Wearing a black lace brassiere, she was on the cover of the December 2007 issue of Maxim magazine and was named Maxim magazine's 2008 Woman of the Year. In 2008 she ranked in the top 5 of the Maxim "Hot 100" list.[49]
She was also featured in Google's Top 10 Women Searches of 2002 and 2003, coming in at #8, and featured in UK Channel 4's 100 Greatest Sex Symbols in 2007, ranked at #16. Roles like Buffy and Cruel Intentions made her a sex symbol across the globe. Gellar featured in FHM's German, Dutch, South African, Danish and Romanian editions 100 Sexiest Women lists every year from 1998 onwards.[50] Topsocialite.com listed her as the 8th Sexiest woman of the 90s along with Alicia Silverstone, Gillian Anderson and Shannen Doherty.[51] Other appearances and listings include: Entertainment Weekly's Top 100 TV Icons in 2007, Entertainment Weekly's Top 12 Entertainers of the Year in 1998 (ranked #3) and Glamour's 50 Best Dressed Women in the World 2004 and 2005 (ranked at No.17 and #24).[50]
In 2007, Gellar was featured in Vaseline's "Skin Is Amazing" campaign, with other actors such as Hilary Duff, Amanda Bynes, and John Leguizamo. Gellar graced the cover of Gotham and featured as their main story in the March 2008 issue, in which she spoke about how passing 30 has evolved her style. Gellar said "It sounds clichéd, but when women turn 30, they find themselves. You become more comfortable in your own skin. Last night on Letterman, I wore this skintight Herve Leger dress. Two years ago, three years ago? I would never have worn it."
Gellar is featured as a playable character in the new Call of Duty: Black Ops map pack Escalation, in which she appears as herself shooting a movie for George Romero, fighting off a horde of zombies.[52]
In 2011 Gellar joined "The Nestlé Share the Joy of Reading Program" which aims to promote the importance of reading to the development of young children and to encourage them to continue reading over the summer break.[53]
[edit]Personal life



Gellar and husband Freddie Prinze, Jr. at the Tribeca Film Festival
Gellar met her future husband Freddie Prinze, Jr., during filming of I Know What You Did Last Summer,[54] but the two did not begin dating until 2000. They were engaged in April 2001 and married in Mexico on September 1, 2002. In 2007, Gellar legally changed her name to Sarah Michelle Prinze in honor of the couple's fifth year of marriage.[1][2] In 2004, while filming The Grudge in Japan, Gellar visited the famous Japanese swordsmith Shoji Yoshihara (Kuniie III) and bought a katana from him as a birthday present for her husband.[55] Gellar learned that she needed clearance from the Japanese government to remove the sword from the country and, after eventually succeeding, stated that it was "incredibly difficult" to do.[56]
Gellar and Prinze have a daughter, Charlotte Grace Prinze, born in September 2009.[57]
Gellar is an active advocate for various charities, including breast cancer research, Project Angel Food, Habitat for Humanity and CARE.[58]
Gellar has four tattoos. She has a symbol for integrity on her lower back; a heart, a dagger and a cherry blossom on her ankle and two dragonflies on her back.[59]
Gellar is a taekwondo black belt.[60][61][62]

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Saturday, September 24, 2011

Justin Bieber Wears Women's Jeans

NYC signing September 1,2009 Nintendo Store - NYCImage via Wikipedia
Justin Bieber wears what's comfortable -- it's as simple as that. The pop sensation rocked the red carpet at Dolce & Gabbana's Fashion's Night Out event in New York City, where he spoke aobut his own fashion choices, including women's jeans.

Bieber spoke to Life & Style magazine about his affinity for ladies' jeans. "I've worn women's jeans before because they fit me. It's not a trend; it's just, whatever works, works." Again, Justin says this isn't a trend, so if everybody starts wearing Not Your Daughter's Jeans, don't blame him.

Bieber was responding to a question about Kanye West's decision to wear a women's sweater. "It wasn't (so he'd) look like a woman in a sweater; it was just a regular sweater that happened to be a woman's."

An article from the Yahoo! Contributor Network points out that Justin and Kanye aren't the only male stars to wear women's duds. Actress Liv Tyler has caught her dad, Aerosmith rocker Steven Tyler, wearing her threads. Same deal with Zoe Kravitz of "X-Men: First Class" fame. Her papa, Lenny Kravitz, has been known to raid her closet.

The Biebs is no stranger to nontraditional styles, though he's not going to cross into Lady Gaga "meat dress" territory. At the 2011 Billboard Music Awards, Justin rocked an Elvis-like glittery gold dinner jacket. He's worn leopard-print shoes, oddly oversized glasses, and white leather with rhinestones (always a bold choice). And don't forget the women's jeans. You got a problem with that?

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Bernard Madoff

Bernard Madoff's mugshotImage via Wikipedia
Bernard Lawrence "Bernie" Madoff (pronounced /ˈmeɪdɒf/;[3] born April 29, 1938) is a former American stockbroker, businessman, investor, investment advisor, money manager, and former non-executive chairman of the NASDAQ stock market, and the admitted operator of what has been described as the largest Ponzi scheme in history.
In March 2009, Madoff pleaded guilty to 11 federal felonies and admitted to turning his wealth management business into a massive Ponzi scheme that defrauded thousands of investors of billions of dollars. Madoff said he began the Ponzi scheme in the early 1990s. However, federal investigators believe the fraud began as early as the 1970s,[4] and those charged with recovering the missing money believe the investment operation may never have been legitimate.[5] The amount missing from client accounts, including fabricated gains, was almost $65 billion.[6] The court-appointed trustee estimated actual losses to investors of $18 billion.[5] On June 29, 2009, he was sentenced to 150 years in prison, the maximum allowed.[7][8]
Jeffry Picower, rather than Madoff, appears to have been the largest beneficiary of Madoff's Ponzi scheme, and his estate settled the claims against it for $7.2 billion.[9][10] J.P. Morgan Chase & Co. may have also benefitted from the scheme – through interest and fees charged – to the tune of a billion dollars. Trustee Irving Picard has filed suit seeking the return of $1 billion and damages of $5.4 billion. Morgan denied complicity.[11] According to the same lawsuit, New York Mets owners Fred Wilpon and Saul Katz and associated individuals and firms, received $300 million from the scheme. Wilpon and Katz "categorically reject" the charges.[12]
Madoff founded the Wall Street firm Bernard L. Madoff Investment Securities LLC in 1960, and was its chairman until his arrest on December 11, 2008.[13][14] The firm was one of the top market maker businesses on Wall Street,[15] which bypassed "specialist" firms by directly executing orders over the counter from retail brokers.[16]
On December 10, 2008, Madoff's sons told authorities that their father had confessed to them that the asset management unit of his firm was a massive Ponzi scheme, and quoted him as describing it as "one big lie."[17][18][19] The following day, FBI agents arrested Madoff and charged him with one count of securities fraud. The U.S. Securities and Exchange Commission (SEC) had previously conducted investigations into Madoff's business practices, but did not uncover the massive fraud.[15]
Contents [hide]
1 Early life
2 Career
3 Government access
4 Investment scandal
4.1 Mechanics of the fraud
4.2 Affinity fraud
4.3 Size of loss to investors
5 Plea, sentencing, and prison life
5.1 Incarceration
6 Personal life
7 Philanthropy and other activities
8 In the media
9 See also
10 References
11 External links
Early life

Madoff was born on April 29, 1938 in Queens, New York City, New York. He is the son of Jewish parents Sylvia (née Muntner) (December 1911 – December 1974), a homemaker, and Ralph Madoff (June 1910 – July 1972), a plumber and stockbroker.[20][21][22][23] Madoff's grandparents were Jewish emigrants from Poland, Romania and Austria.[24] He is the second of three children; his siblings are Sondra (Weiner) and Peter.[25][26] Madoff graduated from Far Rockaway High School in 1956.[27] He attended the University of Alabama for one year, where he became a brother of the Tau Chapter of the Sigma Alpha Mu fraternity,[28] then transferred to and graduated from Hofstra University in 1960 with a Bachelor of Arts in political science.[29][30] Madoff briefly attended Brooklyn Law School, but founded the Wall Street firm Bernard L. Madoff Investment Securities LLC and remained working for his own company.[31][32]
Career

Madoff was chairman of Bernard L. Madoff Investment Securities LLC from its startup in 1960 until his arrest on December 11, 2008.[13]
The firm started as a penny stock trader with $5,000 ($37,000 today) that Madoff earned from working as a lifeguard and sprinkler installer.[33] He further secured a loan of $50,000 from his father-in-law which he also used to set up Bernard L. Madoff Investment Securities LLC. His business grew with the assistance of his father-in-law, accountant Saul Alpern, who referred a circle of friends and their families.[34] Initially, the firm made markets (quoted bid and ask prices) via the National Quotation Bureau's Pink Sheets. In order to compete with firms that were members of the New York Stock Exchange trading on the stock exchange's floor, his firm began using innovative computer information technology to disseminate its quotes.[35] After a trial run, the technology that the firm helped develop became the NASDAQ.[36]
The firm functioned as a third-market provider, which bypassed exchange specialist firms, by directly executing orders over the counter from retail brokers.[16] At one point, Madoff Securities was the largest market maker at the NASDAQ and in 2008 was the sixth largest market maker on Wall Street.[35] The firm also had an investment management and advisory division, which it did not publicize, that was the focus of the fraud investigation.[37]
Madoff was "the first prominent practitioner"[38] of payment for order flow, in which a dealer pays a broker for the right to execute a customer's order. This has been called a "legal kickback."[39] Some academics have questioned the ethics of these payments.[40][41] Madoff has argued that these payments did not alter the price that the customer received.[42] He viewed the payments as a normal business practice: "If your girlfriend goes to buy stockings at a supermarket, the racks that display those stockings are usually paid for by the company that manufactured the stockings. Order flow is an issue that attracted a lot of attention but is grossly overrated."[42]
Madoff was active in the National Association of Securities Dealers (NASD), a self-regulatory securities industry organization and has served as the Chairman of the Board of Directors and on the Board of Governors of the NASD.[43]
Government access

Since 1991, Madoff and his wife have contributed about $240,000 to federal candidates, parties and committees, including $25,000 a year from 2005 through 2008 to the Democratic Senatorial Campaign Committee. The Committee has returned $100,000 of the Madoffs' contributions to Irving Picard, the bankruptcy trustee who oversees all claims. Senator Charles E. Schumer returned almost $30,000 received from Madoff and his relatives to the trustee, and Senator Christopher J. Dodd donated $1,500 to the Elie Wiesel Foundation for Humanity, a Madoff victim.[44]
The Madoff family gained access to Washington's lawmakers and regulators through the industry's top trade group. The Madoff family has long-standing, high-level ties to the Securities Industry and Financial Markets Association (SIFMA), the primary securities industry organization.[45] Bernard Madoff sat on the Board of Directors of the Securities Industry Association, which merged with the Bond Market Association in 2006 to form SIFMA.[46]
Madoff's brother Peter then served two terms as a member of SIFMA's Board of Directors. He stepped down from the Board of Directors of SIFMA in December 2008, as news of the Ponzi scheme broke.[45] From 2000 to 2008 the two Madoff brothers gave $56,000 to SIFMA, and tens of thousands of dollars more to sponsor SIFMA industry meetings.[47] Bernard Madoff's niece Shana Madoff was active on the Executive Committee of SIFMA's Compliance & Legal Division, but resigned her SIFMA position shortly after her uncle's arrest.[48]
In 2004 Genevievette Walker-Lightfoot, a lawyer in the SEC's Office of Compliance Inspections and Examinations, informed her supervisor branch chief Mark Donohue that her review of Madoff found numerous inconsistencies and recommended further questioning. However, because of agency pressure to investigate the mutual fund industry, she had to conclude work on the probe. Donohue's boss, Eric Swanson, an assistant director of the department,[49] married Shana Madoff, after the investigation concluded in 2005.[50] A spokesman for Swanson, who has left the SEC, said he "did not participate in any inquiry of Bernard Madoff Securities or its affiliates while involved in a relationship" with Shana Madoff.[51]
While awaiting sentencing, Madoff met with the SEC's Inspector General, H. David Kotz, who is conducting an investigation into how regulators failed to detect the fraud despite numerous red flags.[52] Madoff said he could have been caught in 2003, but bumbling investigators acted like "Lt. Colombo" and never asked the right questions.
"I was astonished. They never even looked at my stock records. If investigators had checked with the Depository Trust Company, a central securities depository, it would've been easy for them to see. If you're looking at a Ponzi scheme, it's the first thing you do." Madoff said in the June 17, 2009, interview that SEC Chairman Mary Schapiro was a "dear friend," and SEC Commissioner Elisse Walter was a "terrific lady" whom he knew "pretty well."[53]
Since Madoff's arrest, the SEC has been criticized for its lack of financial expertise and lack of due diligence, despite having received complaints from Harry Markopolos and others for almost a decade. The SEC's Inspector General, H. David Kotz, found that since 1992, there were six botched investigations of Madoff by the SEC, either through incompetent staff work or neglecting allegations of financial experts and whistle-blowers. At least some of the SEC investigators doubted whether Madoff was even trading.[54][55][56]
Investment scandal

Main article: Madoff investment scandal
Concerns about Madoff's business surfaced as early as 1999, when financial analyst Harry Markopolos informed the U.S. Securities and Exchange Commission (SEC) that he believed it was legally and mathematically impossible to achieve the gains Madoff claimed to deliver. According to Markopolos, he knew within five minutes that Madoff's numbers didn't add up, and it took four hours of failed attempts to replicate them to conclude Madoff was a fraud.[57] He was ignored by the Boston SEC in 2000 and 2001, as well as by Meaghan Cheung at the New York SEC in 2005 and 2007 when he presented further evidence. He has since published a book, No One Would Listen, about the frustrating efforts he and his team made over a ten-year period to alert the government, the industry, and the press about the Madoff fraud.
Although Madoff's wealth management business ultimately grew into a multi-billion-dollar operation, none of the major derivatives firms traded with him because they didn't think his numbers were real. None of the major Wall Street firms invested with him either, and several high-ranking executives at those firms suspected he wasn't legitimate.[57]
Others also contended it was inconceivable that the growing volume of Madoff accounts could be competently and legitimately serviced by his documented accounting/auditing firm, a three-person firm with only one active accountant.[58]
The Federal Bureau of Investigation complaint says that during the first week of December 2008, Madoff confided to a senior employee, identified by Bloomberg News as one of his sons, that he said he was struggling to meet $7 billion in redemptions.[17] According to the sons, Madoff told Mark Madoff on December 9 that he planned to pay out $173 million in bonuses two months early.[59] Madoff said that "he had recently made profits through business operations, and that now was a good time to distribute it."[17] Mark told Andrew Madoff, and the next morning they went to their father's apartment and asked him how he could pay bonuses to his staff if he was having trouble paying clients. With Ruth Madoff nearby, Madoff told them he was "finished," that he had "absolutely nothing" left, that his investment fund was "just one big lie" and "basically, a giant Ponzi scheme."[59] According to their attorney, Madoff's sons then reported their father to federal authorities.[17] On December 11, 2008, he was arrested and charged with securities fraud.[19]
Madoff posted $10 million bail in December 2008 and remained under 24-hour monitoring and house arrest in his Upper East Side penthouse apartment until March 12, 2009, when Judge Denny Chin revoked his bail and remanded him to the Metropolitan Correctional Center. Chin claimed Madoff was a flight risk, because of his age, wealth, and the prospect of spending the rest of his life in prison.[60] Prosecutors filed two asset forfeiture pleadings which include lists of valuable real and personal property as well as financial interests and entities.[61]
Madoff's lawyer, Ira Sorkin, filed an appeal, and prosecutors responded with a notice of opposition. [61] On March 20, 2009, an appellate court denied Madoff's request to be released from jail and returned to home confinement until his June 29, 2009, sentencing. On June 22, 2009, Sorkin hand-delivered a customary pre-sentencing letter to the judge requesting a sentence of 12 years, because of tables cited from the Social Security Administration that his life span is predicted to be 13 years.[52][62]
On June 26, 2009, Chin ordered Madoff to forfeit $170 million in assets. Prosecutors asked Chin to sentence Madoff to the maximum 150 years in prison.[63][64][65] Irving Picard indicated that "Mr. Madoff has not provided meaningful cooperation or assistance."[66]
In settlement with federal prosecutors, Madoff's wife Ruth agreed to forfeit her claim to US$85 million in assets, leaving her with $2.5 million in cash.[67] The order allowed the SEC and Court appointed trustee Irving Picard to pursue Ruth Madoff's funds.[66] Massachusetts regulators also accused her of withdrawing $15 million from company-related accounts shortly before he confessed.[68]
In February 2009, Madoff reached an agreement with the SEC, banning him from the securities industry for life.[69]
Picard has sued Madoff's sons, Mark and Andrew, his brother Peter, and Peter's daughter, Shana, for negligence and breach of fiduciary duty, for $198 million. The defendants had received over $80 million in compensation since 2001 and "used the bank account at BLMIS like a personal piggy bank." The trustee believes they knew about the fraud because of their personal investments in the scheme, the longevity of the fraud, and because of their work at the company including roles as corporate and compliance officers. Since 1995, Peter Madoff had invested only $32,146, but withdrew over $16 million. Mark and Andrew Madoff withdrew more than $35 million from a small original investment. Picard asserts Mark Madoff conspired with his father to hide $25 million in unknown Swiss accounts.[70][71]
Mechanics of the fraud
According to the Securities and Exchange Commission indictment against Annette Bongiorno and Joann Crupi, two back office workers who worked for Madoff, they created false trading reports based on the returns that Madoff ordered for each customer.[72] For example, once Madoff determined a customer's return, one of the back office workers would enter a false trade from a previous date and then enter a false closing trade in the amount of the required profit, according to the indictment.[73] Prosecutors allege that Bongiorno used a computer program specially designed to backdate trades and manipulate account statements. They quote her as writing to a manager in the early 1990s "I need the ability to give any settlement date I want."[72] In some cases returns were allegedly determined before the account was even opened.[73]
Madoff admitted during his March 2009 guilty plea that the essence of his scheme was to deposit client money into a Chase account, rather than invest it and generate steady returns as clients had believed. When clients wanted their money, "I used the money in the Chase Manhattan bank account that belonged to them or other clients to pay the requested funds," he told the court.[74]
Affinity fraud
Affected institutions include Kentucky University, the Women's Zionist Organization of America, the Elie Wiesel Foundation and Steven Spielberg's Wunderkinder Foundation. Jewish federations and hospitals have lost millions of dollars, forcing some organizations to close.[75] The Lappin Foundation, for instance, was temporarily forced to halt operations because it had invested its entire $8 million endowment with Madoff. Affected institutions also include Stony Brook University Foundation and the James Harris Simons family foundation.
Size of loss to investors
David Sheehan, chief counsel to trustee Picard, stated on September 27, 2009, that about $36 billion was invested into the scam, returning $18 billion to investors, with $18 billion missing. About half of Madoff's investors were "net winners," earning more than their investment. The withdrawal amounts in the final six years were subject to "clawback" (return of money) lawsuits.[5]
In a May 4, 2011 statement, trustee Picard said that the total fictitious amounts owed to customers (with some adjustments) were $57 billion, of which $17.3 billion was actually invested by the customers. $7.6 billion has been recovered, but pending lawsuits, only $2.6 billion is available to repay victims.[76] If all the recovered funds are returned to victims, their net loss would be just under $10 billion.
The Internal Revenue Service ruled that investors' capital loss in this and other fraudulent investment schemes will be treated as a business loss, thereby allowing the victims to claim them as net operating losses to reduce tax liability.[77]
The size of the fraud was often stated as $65 billion early in the investigation,[76] but former SEC Chairman Harvey Pitt estimated the actual net fraud to be between $10 and $17 billion.[78] Erin Arvedlund, who publicly questioned Madoff's reported investment performance in 2001, stated that the actual amount of the fraud might never be known, but was likely between $12 and $20 billion.[79] [80]
Plea, sentencing, and prison life

On March 12, 2009, Madoff pleaded guilty to 11 federal felonies, including securities fraud, wire fraud, mail fraud, money laundering, making false statements, perjury, theft from an employee benefit plan, and making false filings with the SEC.[81] The plea was the response to a criminal complaint filed two days earlier, which stated that over the past 20 years, Madoff had defrauded his clients of almost $65 billion in the largest Ponzi scheme in history. Madoff insisted he was solely responsible for the fraud.[6][54] Madoff did not plea bargain with the government. Rather, he pleaded guilty to all charges. It has been speculated that Madoff pleaded guilty because he refused to cooperate with the authorities in order to avoid naming any associates and conspirators who were involved with him in the Ponzi scheme.[82][83]
On November 3, 2009, David Friehling, Madoff's accounting front man pleaded guilty to securities fraud, investment adviser fraud, making false filings to the Securities and Exchange Commission, and obstructing the IRS. Madoff's right hand man, Frank DiPascali pleaded guilty in August, 2009, and is awaiting bail.[84]
In his plea allocution, Madoff stated he began his Ponzi scheme in 1991. He admitted he had never made any legitimate investments with his clients' money during this time. Instead, he said, he simply deposited the money into his personal business account at Chase Manhattan Bank. When his customers asked for withdrawals, he paid them out of the Chase account—a classic "robbing Peter to pay Paul" scenario. Chase and its successor, JPMorgan Chase, may have earned as much as $483 million from his bank account.[85][86] He was committed to satisfying his clients' expectations of high returns, despite an economic recession. He admitted to false trading activities masked by foreign transfers and false SEC filings. He stated that he always intended to resume legitimate trading activity, but it proved "difficult, and ultimately impossible" to reconcile his client accounts. In the end, Madoff said, he realized that his scam would eventually be exposed.[60][87]
On June 29, 2009, Chin sentenced Madoff to the maximum sentence of 150 years in federal prison.[7][88] Madoff's lawyers originally asked the judge to impose a sentence of 7 years because of Madoff's old age.
Madoff apologized to his victims, saying, "I have left a legacy of shame, as some of my victims have pointed out, to my family and my grandchildren. This is something I will live in for the rest of my life. I'm sorry." He added, "I know that doesn't help you," after his victims recommended to the judge that he receive a life sentence. Chin had not received any mitigating letters from friends or family testifying to Madoff's good deeds. "The absence of such support is telling," he said.[89]
Chin also said that Madoff had not been forthcoming about his crimes. "I have a sense Mr. Madoff has not done all that he could do or told all that he knows," said Chin, calling the fraud "extraordinarily evil," "unprecedented" and "staggering," and that the sentence would deter others from committing similar frauds.[90] Chin also agreed with prosecutors' contention that the fraud began at some point in the 1980s. He also noted that Madoff's crimes were "off the charts" since federal sentencing guidelines for fraud only go up to $400 million in losses.[91]
Ruth did not attend court but issued a statement, saying "I am breaking my silence now because my reluctance to speak has been interpreted as indifference or lack of sympathy for the victims of my husband Bernie's crime, which is exactly the opposite of the truth. I am embarrassed and ashamed. Like everyone else, I feel betrayed and confused. The man who committed this horrible fraud is not the man whom I have known for all these years."[92]
Incarceration


FCI Butner Medium, where Madoff is incarcerated
Madoff's attorney asked the judge to recommend that the Federal Bureau of Prisons place Madoff in the Federal Correctional Institution, Otisville, which is located 70 miles (110 km) from Manhattan. The judge, however, only recommended that Madoff be sent to a facility in the Northeast United States.[93] Madoff was transferred to the Federal Correctional Institution Butner Medium near Butner, North Carolina, about 45 miles (72 km) northwest of Raleigh; he is Bureau of Prisons Register #61727-054.[1][94] Jeff Gammage of the Philadelphia Inquirer said "Madoff's heavy sentence likely determined his fate."[93]
Madoff's projected release date is November 14, 2139.[2][94] The release date, described as "academic" in Madoff's case, reflects a reduction for good behavior.[95] On October 13, 2009, it was reported that Madoff experienced his first prison yard fight with another senior citizen inmate.[96] When he began his sentence, Madoff's stress levels were so severe that he broke out in hives and other skin maladies soon after.[97]
On December 18, 2009, Madoff was moved to Duke University Medical Center in Durham, North Carolina, and was treated for several facial injuries. A former inmate later claimed that the injuries were received during an alleged altercation with another inmate.[98] Other news reports described Madoff's injuries as more serious and including "facial fractures, broken ribs, and a collapsed lung".[97][99] The Federal Bureau of Prisons said Madoff signed an affidavit on December 24, 2009, which indicated that he had not been assaulted and that he had been admitted to the hospital for hypertension.[100]
Personal life

On November 28, 1959, Madoff married Ruth Alpern (born May 18, 1941),[26][101] whom he had met while attending Far Rockaway High School. The two eventually began dating. Alpern graduated high school in advance and earned her bachelor's degree at Queens College,[102][103] she was employed at the stock market in Manhattan before[104] working in Madoff's firm, and she founded the Madoff Charitable Foundation.[105] The Madoffs had two sons: Mark (born March 11, 1964),[106] a 1986 graduate of the University of Michigan, and Andrew (born April 8, 1966),[107] a 1988 graduate of University of Pennsylvania's Wharton Business School.[108][109] Both later worked in the trading section alongside paternal cousin Charles Weiner.[35][110] Several family members worked for Madoff. His younger brother, Peter,[111] an attorney, was Senior Managing Director and Chief Compliance Officer, and Peter's daughter, Shana, also an attorney, was the compliance attorney. On the morning of December 11, 2010—exactly two years after Bernard's arrest—his son Mark was found dead in his New York City apartment. The city medical examiner ruled the cause of death as suicide by hanging.[112][113][114]
Mark Madoff owed his parents $22 million, and Andrew Madoff owes $9.5 million. There were two loans in 2008 from Bernard Madoff to Andrew Madoff: $4.3 million on October 6, and $250,000 on September 21.[115][116] Andrew owns a Manhattan apartment and a home in Greenwich, Connecticut, as did Mark[104] prior to his death.[117] Following a divorce from his first wife in 2000, Mark withdrew money from an account. Both sons used outside investment firms to run their own private philanthropic foundations.[33][104][118] In March 2003, Andrew was diagnosed with mantle cell lymphoma and eventually returned to work. He became chairman of the Lymphoma Research Foundation in January 2008, but resigned shortly after his father's arrest.[104]
Peter and Andrew Madoff remain the targets of a tax fraud investigation by federal prosecutors, according to The Wall Street Journal. David Friehling, Bernard Madoff's tax accountant, who pleaded guilty in a related case, is reportedly assisting the investigation. According to a civil lawsuit filed in October 2009, trustee Irving Picard alleges that Peter Madoff deposited $32,146 into his Madoff accounts and withdrew over $16 million; Andrew deposited almost $1 million into his accounts and withdrew $17 million; Mark deposited $745,482 and withdrew $18.1 million.[119]
Madoff lived in Roslyn, New York, in a ranch house through the 1970s and after 1980 owned an ocean-front residence in Montauk.[120] His primary residence was on Manhattan's Upper East Side,[121] and he was listed as chairman of the building's co-op board.[122] He also owned a home in France and a mansion in Palm Beach, Florida, where he was a member of the Palm Beach Country Club.[123] Madoff owned a 55-foot (17 m) sportfishing yacht named Bull.[122][124] All three homes were auctioned by the U.S. Marshals Service in September 2009.[125][126]
Sheryl Weinstein, former chief financial officer of Hadassah, disclosed in a book written to recoup her investment losses that she and Madoff had an affair more than 20 years ago. As of 1997, when Weinstein left, Hadassah had invested a total of $40 million. By the end of 2008, Hadassah had withdrawn $140 million from an account valued at $90 million. At the victim impact sentencing hearing, Weinstein testified, calling him a "beast".[127][128]
According to a March 13, 2009, filing by Madoff, he and his wife were worth up to $126 million, plus an estimated $700 million for the value of his business interest in Bernard L. Madoff Investment Securities LLC.[129] Other major assets included securities ($45 million), cash ($17 million), half-interest in BLM Air Charter ($12 million), a 2006 Leopard yacht ($7 million), jewelry ($2.6 million), Manhattan apartment ($7 million), Montauk home ($3 million), Palm Beach home ($11 million), Cap d' Antibes, France property ($1 million), and furniture, household goods, and art ($9.9 million).
Philanthropy and other activities

Madoff was a prominent philanthropist,[19][110] who served on boards of nonprofit institutions—many of which entrusted his firm with their endowments.[19][110] The collapse and freeze of his personal assets and those of his firm affected businesses, charities, and foundations around the world, including the Chais Family Foundation,[130] the Robert I. Lappin Charitable Foundation, the Picower Foundation, and the JEHT Foundation which were forced to close.[19][131] Madoff donated approximately $6 million to lymphoma research after his son Andrew was diagnosed with the disease.[132] He and his wife gave over $230,000 to political causes since 1991, with the bulk going to the Democratic Party.[133]
Madoff served as the Chairman of the Board of Directors of the Sy Syms School of Business at Yeshiva University, and as Treasurer of its Board of Trustees.[110] He resigned his position at Yeshiva University after his arrest.[131] Madoff also served on the Board of New York City Center, a member of New York City's Cultural Institutions Group (CIG).[134] He served on the executive council of the Wall Street division of the UJA Foundation of New York which declined to invest funds with him because of the conflict of interest.[135]
Madoff undertook charity work for the Gift of Life Bone Marrow Foundation and made philanthropic gifts through The Madoff Family Foundation, a $19 million private foundation, which he managed along with his wife.[19] They donated money to hospitals and theaters.[110] The foundation has also contributed to many educational, cultural, and health charities, including those later forced to close because of Madoff's fraud.[136] After Madoff's arrest, the assets of the Madoff Family Foundation were frozen by a federal court.[19]
In the media

HBO is making a movie about Madoff and actor Robert De Niro is set to star.[137] A documentary, Chasing Madoff, describing Harry Markopolos' efforts to unmask the fraud, is set to open in August 2011.[138]
See also

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